Watching and helping the rules bend for nonfiction storytelling.
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For the two years before my grandmother died, she occupied the room across from mine in my childhood home. This print hung next to the door to her closet. I remember trying to give each of these women equal time. They reminded me of Polly Pockets - smaller and less relevant than Barbie, with tantalizing toothpick arms and rigid plastic skirts. I preferred the women who took on the sill, standing right on top, fully framed, chest-out, spread-eagle, marking their spot. It was like a political commentary, or a death wish, or a bid to flaunt something more artistic and complex than their bodies. Whatever that was.
miriamsimard:
Ormond Gigli, Girls in the Windows, 1960

For the two years before my grandmother died, she occupied the room across from mine in my childhood home. This print hung next to the door to her closet. I remember trying to give each of these women equal time. They reminded me of Polly Pockets - smaller and less relevant than Barbie, with tantalizing toothpick arms and rigid plastic skirts. I preferred the women who took on the sill, standing right on top, fully framed, chest-out, spread-eagle, marking their spot. It was like a political commentary, or a death wish, or a bid to flaunt something more artistic and complex than their bodies. Whatever that was.

miriamsimard:

Ormond GigliGirls in the Windows, 1960


(via jazzedloon)